Notes of a training camp - Days 3 and 4

To write this post about days three and four I need to use my evening notes because I was too tired to write proper diary entries before going to sleep. I wonder what would have happened if we had gone to the Street Music Festival (have a look on Youtube) every evening just like most of the others. The thing is that as my mother-in-law lives very close to Veszprem where the camp was held I did not feel that I needed to stay at the hostel where there others were and where they lock their doors because other funny aikidoka would paint their toes with colours of the rainbow during the night. Nevertheless, the others say the Festival was good fun and the music was good so we might visit it some time (which eventually happened after our grading). Until that I will just keep trying to sleep enough and keep going to the dojo early to do some extra practicing and, as it turns out, mat arranging. I don't mind it tough, it helps to get more familiar with the mat every time.

Sensei watchin tenchinage
Wednesday morning started with a 40 minutes jo (stick) session starting at 9 am. The previous day it was bokken training and it was shomen based, so Wednesday had to be about jo and shomen. It's easy to guess that the theme of the Thursday weapons training would be yokomen with bokken. We had another funny versions of exercises to 'get familiar' and 'feel' the stick and wooden sword on days 3 and 4: throw your jo to your partner using both hands, and your partner should catch it but at the same time he also throws his jo. If you throw to him at chest level you receive his jo at around hips level. If sensei claps, the direction changes. With bokken, we had to form groups of three, standing close to one another but facing away from the others, and the bokken needed to be passed clockwise or the other way round. One clap meant clockwise, two claps meant anticlockwise. This was fun, woke us up, developed a sense of the weapon and awareness to claps :). I will definitely use these exercises in my children's class.
As not everyone is involved in the weapons trainings the warm up training is after weapons. (Elsner sensei himself does not prefer weapons so it's not required that everyone does weapons in the morning.) We did a lot of exercises to warm up all muscles and to stretch where necessary. We did a complete round of traditional Japanese warm up complete with the rowing exercise (funekogi undo), handshaking in front of us, etc. We used to do these exercises when I was training under Connor and recently I saw a Koichi Tohei video (not THIS one but what I'm referring to is before this part in the full video) where he demonstrates how to warm up, which I really liked. So this style of warm up helped me to recall good old memories and it was a good way to show respect to Japanese traditions. I say this because Japanese style warm up often involves stretching without any prior warming up of the muscles, and recent research has showed that stretching without warming up first sometimes does more harm than good. Also, it was new to me to hear during several of the morning warm up sessions that somewhere after the age of 20, osteoporosis occurs in the neck (bone structure) and it's not recommended to tilt the head back when warming up.
The morning training by Elsner sensei was about the techniques practiced the evening before, just the speed was twice as high. On Wednesday, after this morning session we had an extra 30 minutes 'voluntary' training that was to clarify basic steps and to give a bit of structure of things. Obviously, I was there too (and anyway, I think it's highly 'recommended' to be there every time if you want to grade at the end of the week :)). Uchi irimi, uchi tenkan, soto irimi, soto tenkan, the explanation of mawari ashi (which covers the same as what we used to call tenkan, but can also mean 'to turn', as far as I understood), etc.
As the training material was so much that by the end of the day my cup started to become full I'm just listing the techniques we practiced and a couple of notes to them: shihonage, kotegaeshi, importance of footwork, movement of hips, even fingers. We did suwari waza (seated techniques) on Thursday, and this made it the most demanding training so far in the week. We did katemi waza techniques (ikkyo, nikkyo, sankyo, yonkyo, gokyo) in suwari waza and kokyunage (breath throw) in hanmi handachi waza (one sits, other stands) for which we needed to form several groups and each group had to be lead by someone in hakama (black trousers).
I also remember being called out a couple of times, I received ukemi for shihonage. When being uke for sensei, he noticed that I turned away from him before standing up and facing him again. He corrected this and said you should never do this unless you want an 'unforced kick' to your back side. I memorised this but as I also remembered that we were taught not to stand up towards the defender after receiving ukemi I asked sensei about this after one of the trainings. He kindly explained that 1. you can stand up away from tori if you roll away but not if you simply want to stand up away from him; 2. if you simply stand up away you are showing your back and you should never do that; 3. once down, wait until the defender actually steps back and so allows you to stand up as you gain some free space, so even if tori is not pinning you down he is there and as long as he is there and you are down you are controlled by him. This clarified the issue so from now on I will remember what to do as uke.
At the end of one training, people who were going to grade needed to stand up so that we could see who else is going for the same kyu level and thus who were the people we should practice more in case we needed to demonstrate 'harmony' together (i.e. to grade together). Fortunately, only Chris and me stood up for ikkyu (1st kyu) so it would be hard not to be examined together on Saturday.

Connor and Zolley discussing tasks
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